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Super Silent Reading?

It was an amazing time of day during school, usually after lunch, when teachers in almost every grade required students to sit, quietly, super silently, and read whatever book they wanted. Oh, how I mourn the days of dodgeball, Chinese jump rope and Super Silent Reading.

In memory of SSR, I am going to share my favorite book, that I highly recommend to everyone.

It is by Joseph Mitchell, one of my all time favorite writers. I was introduced to his work when I was still a Journalism student, and I can honestly say he is one of the reasons I do what I do today. During the 40's and 50's Mitchell wrote amazing short pieces for the New Yorker on everyday people living in the world around him. Fantastic writer who has a great voice throughout all of his work.

Up in the Old Hotel by Joseph Mitchell.

Check it out. Should be at everyone's public library or local bookstore.

Also, here is a really cool glance at some of Mitchell's work published in the New Yorker back in 1939. The New Yorker's website offers an amazing digital glace at old prints of their magazine. Make sure to zoom in so you can read it. I love this and hope you do too. 

Joseph Mitchell, A Reporter at Large, “ALL YOU CAN HOLD FOR FIVE BUCKS.,” The New Yorker, April 15, 1939, p. 40
In this week's Video Spotlight, we're looking at the work of LA-based filmmaker Nathan Boehme, fresh off a shoot for a Demand Studios content partner, ModernMom.com.  Click the image below to take a look at some of Nathan's Modern Mom content.

Hblog post photoow long have you been a DS filmmaker? I joined Demand's community of filmmakers in late 2006, so I didn't come in exactly on the "ground floor," but I probably wasn't too many floors above it.

You recently produced videos for a Demand Studios partner, ModernMom.com.  What was it like working with Hollywood-level talent as your Experts? I was pretty nervous on my first day because I knew that I was going to be working with people like Brooke Burke who have established careers in the entertainment industry.  In short, it seemed like I was going to have to work extra hard NOT to make a fool of myself. Fortunately, all of the nervous worrying melted away after spending just two minutes talking with Brooke.  She's easily one of the most kind, easy-going, and accommodating people that I've ever worked with... famous, or otherwise. 

Some of the videos were standard how to style videos, but I also shot some interviews with Brooke and friends of the site.  They were supposed to be sit-down-style, back-and-forth interviews where they'd chat back and forth about their experiences with motherhood.  We all collaborated on the "look" and "feel" of the video, and decided we'd shoot hand-held, and just the let the cameras roll.  One take ended up being over twenty minutes long, and the conversation ended up covering a wide range of topics from the daily struggles of being a single parent, and raising kids after going through a divorce, to the public perception of celebrity moms and dads, and how the kids interpret the sometimes negative "coverage" of their parents.  Really raw, unfiltered stuff.  They also talked about their day-to-day lives as mothers, and joked about more common problems like "lack of sleep," or "time to yourself," or the lack thereof.  The final cut of the video, as it stands, runs about six minutes long, and feels very organic to me... kinda like you're sitting right there in the room with  them, which is what we were all hoping for.

I shot all of these videos on my trusty Canon XH-A1, recorded the audio with an Azden SGM-2X shotgun mic, and edited them using Final Cut Studio.

What is your favorite part of the production process, and why? There are things that I love about every aspect, from the writing all the way through to the final cut... and I suppose that all of those things really boil down to ONE thing, which is crafting the "story."  I love getting lost on the creative side of the fence.  I love being a part of that process from beginning to end.  This goes hand-in-hand with my second favorite part of the production process, which is collaborating with people who feel the same way.

What was your first filmmaking job
? My first "professional" shoot ever was a music video for my brother's band.  We wanted to shoot in a coffee shop, but there weren't any in town that would allow a bunch of kids to use their place of business as a set.  So, I ended up using the fellowship hall of our old church as a soundstage, and built a full-scale, semi-functioning coffee shop set (complete with movable "wild" walls) right in the middle of it.  The end result was amateur at best, but I don't think I've ever felt more proud in my life.

What attracts you to filmmaking?
That's a difficult one to answer.  Reminds me of that scene at the end of "Almost Famous" where William asks Russell, the guitarist, "What do you love about music?"  Russell repositions himself in his chair, looks William in the eye, and replies, "To begin with.....everything."  

Nathan Boehme is a Los Angeles based writer, director and editor.  As a tenured Demand Studios creator, he now spends the bulk of his production time creating premium content for Demand Studios partners and advertisers.
I have, for as long as I have known how to hold a pencil, considered myself a writer. As a child, I kept journals and wrote pseudo “novels.” English was my favorite class—the only one I actually looked forward to. Needless to say, writing was at the core of my being. I was good at it, and no one questioned that …

… until one day when I was 18. I was a freshman in college and enrolled in, what appeared to me as, a fluke of an writing class. I hated the professor; she seemed incompetent, and let’s just face it, she was mean. I loathed her assignments but usually excelled in them. Everything was fine, until one fateful spring afternoon. It was a Friday, and I was eager to find out what I scored on an assigned article. It wasn’t a topic I particularly liked but one in which I thought I did well. So, you can imagine that I, the student that always did well and prided herself in writing, was shocked when I discovered I got less than a stellar grade, along with a note that read “Are you sure you want to be a journalist?” I couldn’t believe it. I walked the half a mile from her classroom to my dorm room, fists clenched, face red, body tense. As soon as I got back to my dorm room, I examined the article. There it was, this brilliant piece of word art (or so I thought), saturated with her violent red pen marks: misuse of a comma here, wrong descriptive phrase there, unnecessary paragraph over here, extraneous verbiage over there—the list went on and on. I must admit I felt like Ralphie on “The Christmas Story.” He was so eager to turn in that paper, proud of what he had written and so disappointed when he got it back. I started crying, cussing, yelling and even stomping. Yes, I stomped. My behavior immediately reverted to that of a 4 year old, and I had a pretty self-indulgent temper tantrum. And after I calmed down, I did what any logical, passionate, aspiring journalist would do: I called my professor and asked her to sit down with me and explain my errors. Don’t get me wrong, her condescending remarks were a big slap in the face, but I was determined to find out where I went wrong. 

When I met with her a few days later, she admitted the journalist comment was uncalled for, but she stuck to her guns in shredding my article apart. It was a tough pill to swallow, to say the least, but in hindsight, I really appreciate that day. It was the first time I was surged into the real world of writers. I experienced what every writer experiences: those horrific moments of rejection, or worse, failure. Writers can be prideful, yes, but there will always be an editor that is going to rip your words apart. And there will always be that one you never forget, that one editor that really gets under your skin until the epic “aha” moment when you realize that she was actually right.

You see, this is how mediocre writers become great writers. It usually takes someone to point out your flaws before you can fix them. Sometimes, it’s from a respected editor and you professionally say “thank you” and comply. And then sometimes it’s from a callous professor, and you shamefully channel the outbursts of a toddler. Eventually though, you learn to take these moments of rejection with a grain of salt and move on. As a writer, we have no choice but to build some pretty thick skin.

I’ve worked for various magazines since then, and every time I edit someone’s feature story—or better yet, have someone edit mine—I am always grateful for that horrible, albeit beneficial, day.
In a new weekly feature on the Demand Studios blog, members of the video team will be profiling the work of our talented Demand Studios filmmakers.  This week's edition comes all the way from Nashville, as Dimitri LaBarge discusses producing for DS and some of the challenges he faced on a recent indoor swimming shoot.  Click the still image below to check out his video on Competitive Swimming Techniques and then read his interview for a behind-the-scenes look at the production.


blog post photoHow long have you been a DS filmmaker? I have been shooting videos for DS since November 2007.

What is your favorite part of the production process, and why? My answer to that completely varies on different days. There are days when I love the shoot the most, when I'm working with an expert who doesn't need as much basic coaching for on-camera presence, and is instead a true collaborator, making the video come to life. I once worked with a local TV weatherman who had extreme confidence on camera, and opened the topic up to camera moves, walk-and-talks, and other techniques that aren't usually available in my expert's toolbox.

On the other hand, there are some evenings when I come home and I have an enormous amount of footage, and I lose myself in a sort of puzzle, which is finding the narrative within tons of sometimes very disconnected footage. When I manage to produce a unified, consistent video, that can be the single most satisfying moment of this work.

What challenges did you face shooting at an indoor pool and how did you work around them? The biggest consideration when shooting in an indoor pool is the ridiculous amount of noise echoing around the structure. We considered using my Sennheiser boom mics so we would have flexibility, but they simply picked up too much ambient noise for clear audio. Using my highly directional Sennheiser lav mics mitigated that issue for the most part.

Another issue was determining what we could demonstrate in the water. Showing moves out of the water lacked authenticity; but it would be hard to show clear demonstrations when the expert was submerged. I decided to shoot both ways, so I could have above-water demonstrations showing specific detail as needed, then shot b-roll so viewers could see what those exercises looked like in the pool.

A final issue was the matter of light. I always have at least a Lowel Rifa-Lite handy for indoor lighting situations, and also a Tota-Omni kit for more complex setups. The indoor pool, however, had several big negatives. It was an area with large dark areas that needed some decent fill lighting to be usable; however, the pool area was soaked enough - and conducive to splashes - that I worried about introducing electricity to the situation. The approach I took was to use the best-lit part of the area, which had decent overhead lighting, and then used my standard LitePanels Mini LED light mounted on-camera, just to provide some low-level fill of my expert's face. 

What methods did you use to secure this expert?  This was as basic as it gets. I had originally needed a triathlon expert on another set of videos, and I had no contacts in this subject. I googled for triathlon and fitness experts in the city, and my expert's name came up near the top of the list. I sent him an e-mail through his website, and he responded almost immediately. (This is a good example of trying to find an expert who is good at more than one thing. By finding a great triathlon expert, I also now had an expert for future running, biking, and swimming topics.)

What equipment did you use for this shoot?
I used my trusty Canon XL-H1 camera, Sennheiser G2 series wireless lav system, Libec LS-55 tripod, and a LitePanels Mini LED light, mounted in Canon's hot shoe.

What attracts you to filmmaking?
I love storytelling. Whether it's writing screenplays or capturing someone's expertise on video, I love communicating a central idea and developing the narrative spine of a fictional or non-fictional project.

Dimiti LaBarge is a Nashville, TN based filmmaker who specializes in instructional, wedding and commercial work.  In addition to being a full-time filmmaker, he also moonlights as a freelance film poster designer.

What challeng


With the rapid growth of new technologies and social media today, it can be difficult to keep up with the facts. How fast are we actually moving? Where are we now compared to where we were yesterday? Where are we going?


One of the most valuable things you can do for yourself as a citizen of the internet is to stay educated.


I recently attended a community meeting for my local public library, and the head librarian closed with this video. It is about five minutes long and shows how fast and in what quantities media is growing and changing online.


I hope you enjoy it as much as I do.


http://www.youtube.com/watch?v=6ILQrUrEWe8


Content by XPLANE, The Economist, Karl Fisch, Scott McLeod and Laura Bestler. Design and development by XPLANE, http://www.xplane.com.



blog post photo


That's right. I'm spending a cra-zay Saturday night reading articles about the future of content on the Internet. (Partly because I moonlight as a freelance writer and thus professional procrastinator... but mostly because I'm a super-nerd.) Anyway, if you want a good excuse to put off your work for 15 minutes or so, take some time and read Tyler Cowan's essay, "Three Tweets for the Web." He actually sings the praises of the Internet's brand of short-form content, arguing that brevity is improving culture rather than diluting it -- we now have access to a multifaceted world that is richer and (paradoxically) more nuanced than ever before in history.

"If you use Google to look something up in 10 seconds rather than spend five minutes searching through an encyclopedia, that doesn’t mean you are less patient. It means you are creating more time to focus on other matters. In fact, we’re devoting more effort than ever before to big-picture questions, from the nature of God to the best age for marrying and the future of the U.S. economy..."

The entire essay is interesting, thoughtful, encouraging, and definitely worth a read. Tell me your thoughts, and keep fighting the good fight. Just, you know, make it snappy.

----
Image courtesy of xamad

I'm an Internet junkie. I shop online. I write online. I make doctor's appointments, buy movie tickets and connect with friends all online. I read my news online, and I generally won't go to a restaurant if they don't have a web page. I even met my husband online. More than anything though, I use the Internet for information. If I have a question, I'm on the Internet within seconds looking up the answer. As a quick sample (and an intimate view into my life,) in the past week I've typed the following things into a search engine: can dogs eat sunflower seeds, what shrubs survive through winter in Texas, how much to feed a fat cat, do you need a rabies shot if you get scratched by a wild squirrel, baked sweet potato fries recipe and how to prevent hairballs in dogs. I have a hunch that I may be independently fueling large portions of Demand's titling algorithm.

In my constant quest for random tidbits of knowledge, I've come across a lot of information. Some of it is good, but much of it is bad. I may love the Internet, but I hate text speak and the incoherent rambling found on message boards and poorly sourced answer sites. I'm a writer, so I want my information professionally written. I want it to be factual and authoritative. I want reputable sources and reputable authors, and I don't want to go to traditional print media to find them.

Maybe it's this extreme reliance on the Internet for quality information, or maybe it's just my writing background, but I revel in coming across an article from a Demand Studios writer. I love it because I know that what the Studio is doing is integrating all the wonderful qualities of traditional media with the convenience of web content. Articles are written by professionals, facts are cited and checked, and I won't have to wade through horrendous grammar to get the information I need. Moreover, I know the article I'm looking at will be about the title I clicked. I know the information will be concise and well-organized, and I know that the author of the article worked hard to research and create just what I was looking for.

 

So, while I respect those people in traditional media who are mourning the ailing print industry, I'm celebrating the fact that all that knowledge and skill is on its way over to the online world. Are things perfect just yet? Of course not, but as more and more professionally trained journalists and young graduates make their way over to web content, whether willingly or begrudgingly, the quality of information on the web will improve. Not only will that quality improve, but the quantity of quality articles will increase. While we work on this transition, this melding of the old and the new, I think it's important to remember that despite the kinks and frustrations that need to be worked out, we're all on the cutting edge of something that's going to be really good for both writers and readers around the world, and there’s really something to be proud of there.

"In the South, perhaps more than any other region, we go back to our home in dreams and memories, hoping it remains what it was on a lazy, still summer's day."  --Willie Morris


They say every journey begins with a single step. For me, it began with an 1,800-mile drive to a bustling city where turn signals are a sign of weakness and a friendly “hello” to strangers gets you funny looks.


Now, don’t get me wrong. I’m no country bumpkin, but I certainly wouldn’t call myself a “city girl.”


I grew up in Baton Rouge, La., a town that revolves around work on Monday, church on Sunday and (most importantly) LSU football on Saturday.


I’ve always loved my hometown, with its ancient, hanging oak trees and fragrant, delicate magnolias. I love the people, who know that anyone deserves a smile and even a random grocery store cashier can become your temporary best friend.


But you see, I’ve always known I wouldn’t spend my life there, especially when I decided upon journalism as my career. The main news arteries in my town remain a game of “who knows who,” a remnant of old Southern aristocracy.


All the while, each of my professors continued to speak about “The Death of Journalism” in dark and hushed voices. All anyone seemed to know was that media is rapidly changing, and online is the inevitable and unfortunate absolute.


“Good luck,” they’d lament. “Don’t say we didn’t warn you.”


But I didn’t want to be the new starving artist. I wanted to jump onboard the journalism train, hold on tight and ride out its aimless, racing journey to wherever it will end.


I decided that by the end of my college career, I would get a taste of each form of media. If I could jump into each arena and survey the playing field, maybe I would know which team would be my best bet. I interned at two online media companies (one of which was LIVESTRONG, the opening to my eventual position on the DS team), a national broadcast news network and completed two years as a managing editor at a local magazine in Baton Rouge.


Now, as I become part of the community here at Demand Studios, I feel as if I’m actually ahead of the drifting, stumbling train.


I still miss my old life every day. I miss the wider streets, the sense of belonging and the food... Oh, the food. All my fellow Southerners out there don’t need to question why I brought two bottles of cayenne pepper in my spice rack arsenal.


But in addition to learning how it feels to be just one in a crowd of thousands, I’m learning how it feels to be a part of something unique and exciting. We’re standing for something completely new. For the first time, readers decide what journalists write. It seems so simple when you put it that way, doesn’t it?


So, rather than focus on my longing to be back home with family, friends and a little Cajun gumbo, I’m hanging on tight to this exciting new form of media.


As we say in Louisiana, laissez les bons temps rouler!

We're pleased and excited to announce that Demand Studios will be offering access to health care to our creators. As you know, many of us on the staff have been freelancers and we realize how challenging it can be to get access to affordable health care.

This program starts on November 1st.  We will email full details and enrollment forms on Thursday, October 29.
   

Demand Studios has negotiated 3 different plans that should be about 2 to 3 times less than what you can get as an individual (for similar coverage).

We are offering access to health care coverage at a discount based on the power of our freelancing network. This is only for Writers, Copyeditors, and Filmmakers to start.  You must meet DS eligibility requirements to access these plans. 

Eligibility is as follows:

 o   Writers – must have written for the past 3 months at 30 articles a month

 o   Copyeditors – must have reviewed for the past 3 months at 200 articles a month
o   Filmmakers – must have produced for the past 3 months at 30 videos a month

For the November 1st kickoff we will go back 3 months from October 31st to determine initial eligibility.

Those who are already at these levels on November 1st will get emailed enrollment forms and are available to immediately enroll.

Ongoing, at the end of every month we will invite the new set of writers/CE/filmmakers that have qualified for these benefits.

Again - more info next week! Be sure to join the conversation in our Forum Thread or on our Facebook Page.

When I was writing for my college newspaper I sometimes felt like I was sent on some wild goose chases with the story ideas from my editors. Because my ambitions to become a great writer wouldn’t allow me to avoid these challenging assignments, I usually wandered out on campus without a clue about how to approach the subject. Would my story turn out to be chicken turd or chicken salad?

 

This is a problem all writers probably face at some point in their career, and they’re lucky if it only happens once.

 

The way I solved this recurring problem was to build a network of sources I could use more than once. My intent was not to interview the same sources for every story, but to utilize their social networks to find new people who would make great interview subjects. Without great sources it’s practically impossible to write a good article.

 

This is something that you can apply to your writing in the Studio as well. Instead of searching blindly on the Internet, build your own research library of trusted sites one source at a time. Eventually you will know exactly where to go for credible information on gardening, health, legal or any other categories you regularly cover. This will save you research time and help you avoid rewrite requests based on untrustworthy sources.

 

I also encourage you to take one article a month and give it a little extra attention by finding a person to interview. Just to be clear, I’m not speaking about a new editorial policy. I’m just encouraging you to, every once in a while, spend a little extra time on an article when you find a title that really speaks to you. Or better yet, try it out on a title that makes you scratch you head and question the sanity of Demand’s title algorithm. Sometimes those titles turn into something really interesting when executed properly.

 

Here are two examples of titles most people would not even think twice about claiming, but they turned out to be really good articles.


http://www.ehow.com/how_5391278_build-turtle-robot.html


http://www.ehow.com/how-does_5256421_reasons-against-back-window-car.html

 

One of my most memorable oh-my-lord-how-am-I-going-to-handle-this-one moments was when I was asked to write an article during Black History Month about black students at our school who defy stereotypes. I had three days to find people to interview and come up with an interesting angle. This was the end result:

 

http://sundial.csun.edu/2006/02/studentshelpdefystereotypesofyoungafricanamericans/

 

Chicken turd or chicken salad? You be the judge.

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